![]() The blues progression is based on the first, fourth, and fifth chords, which lays the foundation for blues.īack in the 1930s, a standardization was made regarding the 12-bar blues, which has the following forms: If you have noticed, many blues songs use similar chord progressions too. There are many bends and slides, songs with 7th chords, 12-bar progressions, similar rhythmic patterns, and song structures. I’ll Play The Blues For You Guitar Chords ConclusionĪs seen on the list, many blues songs have similar structures and some nuances and characteristics that give the particular song its soul, which differs it from the others. It has a simple 4 chord blues composition, but Joe and his band take it to another level with a great technique and sound. Joe is performing the tune on his live stage as a tribute to the blues kings. The tune is a Jerry Beach song from 1941. ![]() This guy is another blues guitar beast from the last 20 years. Keep your attention on the rhythms used, scales and notes preferred and how the song progressions goes. The best way to learn more about blues is to grab your guitar and start playing some blues songs. It has its own scales such as pentatonic and blues scales mainly used to create riffs and solos. Blues is a vocal and instrumental musical genre, based on the use of blues notes and repeating patterns, usually following a 12-bar structure and mainly in a 4/4 time signature. If you want to learn how to play blues on guitar, you must first start by understanding the structure. Besides, it is a vibrant genre with many nuances and variations, creating some enjoyable riffs, solos, rhythms, and song structures. Therefore, a guitarist must go back to the blues, to the roots to comprehend modern music better. It influenced many genres today, starting with rock and roll, rock, metal, funk, country, R&B, soul, and many more. Originally from the African-American communities of the southern United States, this genre became one of the most important influences for the development of American and Western popular music. You can find that kind of lick in Eric Clapton‘s playing.The root of many genres today goes back to the roots of blues back in the early and mid 20th century. But this time there are more effects and movements. The position used is the same as in the first lick. This is followed by a transverse flight to the tonic note G, on the high E string at the 15th fret. To give life to this kind of phrase, the bends are essential. The famous bluesman was accustomed to licks with the tonic located on the 2nd string and blocked with the index finger: it is called “ BB Box“. Lick n° 3 (bars 5-8)įor this lick, I got inspired by BB King. Pay attention to the effects and techniques that make the blues so special. The final phrase is based on the famous minor penta position. You will notice the perfect symmetry between the first 2 bars, and also the use of chromaticism to bring an almost jazzy side. One of my favorite lick ideas is to focus harmonically on the V-IV sequence ( D7-C7). Nevertheless, be careful to negotiate the exit. This type of phrase can of course be extended as long as you like. In blues or rock music, repeating notes in licks is cool and sounds well. Now everyone has 4 bars to play and this dialogue last during 3 full grids. As for the lead phrases, they are based on the famous minor penta position (here in G, 3rd fret) or its extension. ![]() The rhythmic part supports the groove of the piece and beats 2 and 4 (also called “weak beats”). We speak about antecedent and consequent. Indeed, each group of four bars can be divided into 2:Ģ bars of rhythm and 2 bars of solo phrasing. A quick look at the score and you’ll see the natural breakdown of this 12-bar grid. The inspiration for this song is Come When I Call by John Mayer. The first roundīut before we go deep into that, let me first start with a full grid. The rest of the grid follows a very classical pattern in the alternation of degrees: two measures of IV ( C7), two measures of I ( G7) and then the sequence V-IV-I-I ( D7-C7-G7-G7).īecause of its internal structure, easily divided into groups of two or four bars, the blues is an ideal playground for practicing the famous “question and answer” concept. ![]() We start with G7 and then, in bar 2, we find the chord of the IVth degree in order to bring a light harmonic movement: it is what we call a “quick change”.Īs this variation is not imposed, we could also have stayed four measures on the G7 chord. The harmonic progression is quite simple and is based on 3 chords (degree I = G7 / degree IV = C7 / degree V = D7) arranged according to a pre-established order.
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